Film "Sauli poeg" on ju ka Eestiga seotud ja räägib matemaatik Peeter Lorentsist, kes teatavasti on PEETER SAULI poeg. Miks ajakirjandus sellest ei räägi?
ega siis keegi ometi arvanudki, et see film midagi vóidab. Jääb mulje, et kellegi jalg on seal Gloobuse ukse vahel- lúkkame teid sealt sisse, saate raha lóhna nuusutada ja vaiba peal kóndida. Aga enne kerjame meedia vahendusel rahvalt raha, et filmi promoda ja teid sinna sóidutada. Eesti filmi tase on mannetu.
USAs läks nii, nagu arvata oli - soomlaste film kõneles ameeriklastele arusaamatu väikerahva esindajast ja kuigi film on tipp-topp, õnnestunud, ei olnud selles filmis ju ... "Sauli" Avandile jätkuvalt jõudu ja rõõmsat meelt! ja kulla kuri kommija, olgu su elus ikka nii mida otsid, seda ka leiad: otsid vihkamist - leiad vihkamist otsid raha - leiad raha otsid rõõmu - leiad rõõmu
Ei tunne rõõmu,et nii läks. Üks asi aga häirib tõesti eelnevaga seoses.Ükskõik milline kultuuriga seotud rinnapistmine ka poleks,sogatakse meediapilti jaburustega,justkui oleks juba peavõit taskus.Selleks sobivad kõik,kultuuriministrist koristajani,kes oma sõna ikka sekka ütleks ja loomulikult kindla sõna võitja ennustamisel.Võitja on muidugi raudselt meie mees-naine.Samas on kõik leheveerud ette juba liidriks kuulutatud tegelase tegemistest ja käimistest tulvil,WC-s käimise korrad ehk välja arvatud.Oleks aeg mõista,et see on mage ja pigem ärritab kui paneb kaasa elama.
Kui meie sportlastel OMdel . Ootused suured kuid tulemus viimaste hulgas. Olles irooniline olen ikkagi rahul et nüüd ei saa vähemalt see tolerant Avandi ennast puhevile ajada.
=== AASTA 2015 võitja https://en.m.wikipedia.org/wiki/Son_of_Saul In October 1944, Saul Ausländer (Géza Röhrig), a Hungarian-Jewish prisoner in Auschwitz works as a Sonderkommandomember, burning the dead. One day, he finds the body of a boy he takes for his son. He tries to salvage the body from the flames, and find a rabbi to arrange a clandestine burial. Meanwhile other members of the Sonderkommando learn about their impending extermination, rise up and destroy the crematorium. Saul keeps focused on his own plan to pay the last honours to a son he never could take care of before. === AASTA 2014 võitja https://en.m.wikipedia.org/wiki/Ida_(film) Orphaned as an infant during the German occupation of World War II, she must now meet her aunt. The former Communist state prosecutor and only surviving relative tells her that her parents were Jewish. The two women embark on a road trip into the Polish countryside to learn the fate of their family. Called a "compact masterpiece" and an "eerily beautiful road movie", the film has also been said to "contain a cosmos of guilt, violence and pain", even if certain historical events (German occupation of Poland, the Holocaust and Stalinism) remain unsaid: "none of this is stated, but all of it is built, so to speak, into the atmosphere: the country feels dead, the population sparse" .. Ida wants to find the bodies of her parents. Wanda asks her what would happen if she goes to their graves and discovers God is not there. Wanda takes her to the house they were born in and used to own, which is now occupied by a Pole, Feliks Skiba and his family. Wanda had left her family with Feliks' family during the war; the Skibas had hidden the Lebensteins from the German authorities. Wanda, a former prosecutor, demands that Feliks and his father tell her what happened to the Lebensteins. Finally, Feliks agrees to tell them—if Ida promises that they will leave the Skibas alone and give up any claim to the house. Feliks takes the women to the burial place in the woods and digs up the bones of their family. He admits to Ida that he took three of the Lebensteins into the woods and killed them. Feliks says that because Ida was very small and able to pass for a Christian, he was able to give her to a convent. But Wanda's small son, whom she'd also left behind, was "dark and circumcised". He couldn't pass for a Christian child, and Feliks had killed him along with Ida's parents. Jeremy Hicks describes some of the possible motivations for Feliks' murders: "The implication is that he killed them for fear that he and his family might be discovered by the Nazis to be hiding Jews, and themselves be killed. But there is so much left unsaid here that the motivations for murder are left obscure. An understanding of Polish wartime history might equally push us towards explaining the murder through Polish anti-Semitism. The perception that Jews had money, and that killing them would enable the murderers to acquire their property, is a motive that is hinted at too." Wanda and Ida take the bones to their family burial plot, in an abandoned, overgrown Jewish cemetery in Lublin, and bury them.
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